How to Play the D Minor Whole Tone Scale on the Guitar

Trying to spice up your guitar skills with something a bit more exotic? The D Minor Whole Tone Scale might just be what you’re looking for. This scale is a fascinating tool for guitarists who want to add a new flavor to their music, especially in the realm of metal and its various subgenres. It’s not your typical scale, so it offers a unique sound that can really make your playing stand out. In this post, we’ll explore how to navigate this scale on the guitar and incorporate it into your playing. Expect some practical tips, relatable examples, and a bit of humor to keep things light.

Why the Whole Tone Scale is Unique

The Whole Tone Scale is a bit of an oddball in the world of music theory. Unlike the more common major and minor scales, which are made up of whole and half steps, the Whole Tone Scale is comprised entirely of whole steps. This gives it a dreamy, almost otherworldly sound. If you’re into bands that push the boundaries, like Dream Theater or Meshuggah, you might have encountered this scale without even realizing it.

One of the coolest things about the Whole Tone Scale is its symmetry. Because it’s made entirely of whole steps, there are only two distinct whole tone scales: you can start one on any note, and the rest of the notes will remain the same. This symmetry means the scale has no leading tone, which is why it sounds so floating and unresolved. It’s the perfect choice when you want to break free from the traditional tension and release that dominate Western music.

That said, it might not be the first scale beginners think of when getting into metal guitar. But here’s the thing—if you want to create something that really captures attention, this scale is a great asset. It’s like adding a dash of hot sauce to your music, it might not be for everyone, but those who appreciate it will love the extra kick it provides.

The Basics of Playing the D Minor Whole Tone Scale

Alright, let’s get down to the nuts and bolts of this scale. The D Minor Whole Tone Scale consists of the following notes: D, E, F#, G#, A#, and C. If you’re counting, that’s six notes. The absence of a seventh note is what gives this scale its unique, ambiguous sound.

Here’s how you can start playing it on the guitar:

• First Position: Start on the 5th fret of the A string (D note) and play the following frets: 5, 7, 9. Move to the D string and play 6, 8, 10. Do the same pattern on the G string.
• Second Position: Start on the 10th fret of the E string (D note) and follow this pattern: 10, 12, 14 on the E string, and then 11, 13, 15 on the A and D strings.

Notice something? The pattern repeats the same structure on each string set. This makes the whole tone scale easy to memorize, as you don’t need to worry about the usual string skips or awkward fingerings you might encounter with other scales.

Once you’re comfortable with these positions, try playing the scale across the entire fretboard. This will help you internalize the scale’s sound and make it easier to incorporate into your playing. And don’t worry if it feels a bit strange at first—like any new technique, it takes some getting used to!

Using the D Minor Whole Tone Scale in Metal

Now that you’ve got the scale under your fingers, how do you actually use it in your metal playing? Well, the Whole Tone Scale is great for creating tension and adding a surreal quality to your solos and riffs. It’s particularly effective in breakdowns or transitional sections where you want to catch the listener off guard.

For instance, imagine you’re playing a fast, aggressive riff in D minor. You could switch to the D Minor Whole Tone Scale for a few bars to create a jarring, unexpected twist. This can add a fresh layer of complexity to your music and keep your audience on their toes.

Additionally, the scale lends itself well to the dissonant, eerie soundscapes you often hear in black metal and progressive metal. It’s perfect for those moments when you want to evoke a sense of unease or convey something otherworldly. Have you heard tracks from bands like Gorguts or Deathspell Omega? They often use unconventional scales to create a unique atmosphere, and the Whole Tone Scale fits right into that mold.

One more thing: If you’re into soloing, try alternating between the D Minor Pentatonic Scale and the D Minor Whole Tone Scale. This contrast can add a new dimension to your solos, giving them a more dynamic and unpredictable quality.

Techniques to Practice with the Whole Tone Scale

Playing the Whole Tone Scale is one thing, but mastering it is another. To really get the most out of this scale, you’ll want to incorporate a few techniques that highlight its unique sound.

• Alternate Picking: The symmetry of the scale makes it ideal for alternate picking exercises. Practice playing the scale slowly, focusing on clean, precise picking. Gradually increase your speed as you become more comfortable.
• Legato: Use hammer-ons and pull-offs to create smooth, flowing lines. The Whole Tone Scale’s equal intervals lend themselves well to legato playing, allowing you to glide effortlessly across the fretboard.
• String Skipping: Challenge yourself by incorporating string skipping into your practice. This can add a more dynamic and unpredictable element to your playing, which is perfect for the Whole Tone Scale’s ambiguous sound.

These techniques not only help you master the scale but also improve your overall guitar skills. Plus, they make your playing more versatile and expressive, which is always a good thing in the diverse world of metal music.

And hey, if you’re looking for some guidance on these techniques, Riffhard has lessons from some of the world’s top metal guitarists. They can show you how to nail these techniques and take your playing to the next level.

Combining the Whole Tone Scale with Other Scales

The Whole Tone Scale is a powerful tool on its own, but it becomes even more versatile when combined with other scales. Here are a few combinations to experiment with:

• D Minor Pentatonic Scale: This is a classic choice for metal guitarists, and it pairs surprisingly well with the Whole Tone Scale. Use the D Minor Pentatonic Scale for your main riffs and switch to the Whole Tone Scale for solos or breakdowns.
• D Harmonic Minor Scale: This scale is known for its exotic, Eastern sound, and it complements the Whole Tone Scale’s ambiguity. Alternate between these scales to create a rich, complex texture.
• D Phrygian Dominant Scale: Another scale with a unique flavor, the Phrygian Dominant Scale can add an extra layer of tension to your music. Use it in conjunction with the Whole Tone Scale to create a mysterious, haunting atmosphere.

Experimenting with these combinations can lead to some exciting musical discoveries. Don’t be afraid to mix and match scales to find the sound that best suits your style. After all, music is about expression and creativity, so let your imagination run wild!

Creating Riffs with the Whole Tone Scale

Riffs are the backbone of metal music, and the Whole Tone Scale can help you create some truly unique ones. Here’s a simple approach to crafting riffs using this scale:

Start by choosing a root note, like D, and build a riff around it using the notes from the D Minor Whole Tone Scale. Focus on creating a strong rhythmic foundation, using techniques like palm muting and chugging to add weight and intensity.

Once you have a solid riff, experiment with adding variations. For example, you could incorporate slides or bends to emphasize certain notes or use harmonics to create an otherworldly effect. You can also play around with dynamics, alternating between softer and louder sections to keep your riff interesting.

Here’s a quick example to get you started:

e|---------------------------------------------|
B|---------------------------------------------|
G|---------------------------------------------|
D|---5---7---9---7---9---10---9---7---5---7---|
A|---------------------------------------------|
E|---------------------------------------------|

This riff uses the D Minor Whole Tone Scale in its first position. Feel free to modify it to suit your style, adding your own personal touch. Remember, the goal is to create something that resonates with you and reflects your musical vision.

And if you’re looking to dive deeper into riff writing, Riffhard offers riff-writing contests where you can challenge yourself and learn from others in the community. It’s a great way to grow as a guitarist and get inspired by like-minded musicians.

Soloing with the Whole Tone Scale

When it comes to soloing, the Whole Tone Scale can add a fresh twist to your lead playing. Its symmetrical structure makes it easy to navigate, allowing you to create fluid, seamless lines.

To get started, try incorporating the D Minor Whole Tone Scale into your solos. Begin by playing simple phrases and then gradually build complexity as you become more comfortable. Use techniques like vibrato, slides, and bends to add expression and emotion to your playing.

One effective way to use the Whole Tone Scale in solos is to alternate between it and more familiar scales, such as the D Minor Pentatonic Scale. This contrast can add depth and interest to your solos, keeping your audience engaged.

If you’re looking for some guidance on soloing techniques, Riffhard features lessons from renowned guitarists who can help you refine your skills and develop your own unique voice on the instrument. With their expert guidance, you’ll be crafting killer solos in no time.

Overcoming Challenges with the Whole Tone Scale

Like any new musical concept, the Whole Tone Scale can present its own set of challenges. But with patience and practice, you can overcome these hurdles and incorporate the scale into your playing with confidence.

One common challenge guitarists face is the scale’s unusual structure. The symmetry and lack of a leading tone can make it feel disorienting at first. To overcome this, spend some time practicing the scale in different positions and familiarizing yourself with its unique sound.

Another challenge is integrating the scale into your existing repertoire. It can be tempting to revert to more familiar scales, but don’t be afraid to push yourself out of your comfort zone. Start by incorporating the Whole Tone Scale into your solos and riffs in small doses, gradually increasing its presence as you become more comfortable.

Remember, every guitarist faces challenges when learning new techniques and concepts. The important thing is to stay patient, keep practicing, and embrace the journey. With time and dedication, you’ll find that the Whole Tone Scale becomes a valuable tool in your musical arsenal.

Final Thoughts

The D Minor Whole Tone Scale is a powerful weapon in any guitarist’s toolkit, especially for those who love the boundary-pushing nature of metal. With practice, you’ll find it adds a unique flavor to your playing. At Riffhard, we provide lessons from some of the most respected metal guitarists, helping you master scales like this and much more. Dive in and see how it can transform your sound.